This blog is for everything related to the book Living with Lynching by Koritha Mitchell, published in October 2011 by the University of Illinois Press. So much has happened in the book's first few months of existence! Having this space will help me remember to document more of what happens so that I can share with whomever is interested. Thank you for joining me on this journey of grappling with difficult issues and thinking critically but also celebrating.
Showing posts with label Callaloo. Show all posts
Showing posts with label Callaloo. Show all posts
Wednesday, October 23, 2013
Video Interview: Lynching & Anti-LGBT Violence
The Ohio State University English Department maintains a Tumblr blog. This week, they are placing a spotlight on Queer Studies. The feature includes a video interview with me about the essay in which I draw parallels between lynching and anti-LGBT violence. I'm so grateful that the site's managers wanted to highlight this research and that they followed through and made it happen. They did a great job with the interview!
Please let us know what you think.
Video can be viewed from here: osuenglish.tumblr.com
Saturday, October 19, 2013
Appreciated Attention for Essay on Lynching & Anti-LGBT Violence
On Friday, October 18, 2013, I was very pleasantly surprised to see my essay "Love in Action: Noting Similarities between Lynching Then and Anti-LGBT Violence Now" listed in Feministing's Daily Feminist Cheat Sheet.
They call the essay "long, but totally worth the read." I'll take that any day!!
Their listing here.
(I described the essay on this blog here.)
Tuesday, July 30, 2013
Reviewed in Callaloo
The premier journal of African Diaspora literature and culture, Callaloo, offers a review of Living with Lynching by black feminist scholar Courtney Marshall. Marshall's work centers on the criminalization of black women and promises to make important contributions as many Americans grapple with the ravages of the prison industrial complex.
Marshall's review carefully engages the work that each chapter of Living with
Lynching does. She concludes with an nod toward the book's investment in not
replicating the violence achieved by gruesome images of lynching victims. "By
excluding lynching photographs, Mitchell’s book enacts the scholarly move she
advocates. Her study includes visual images that support her argument that the
visual archive of lynching photography has dominated the conversations.
Reproductions of the playbill from Angelina Weld Grimke’s Rachel and the cover
of The Crisis are powerful antidotes to photographs of broken corpses hanging from
trees, light poles, and bridges."
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